The Ethical Exploration of the Movie “KIM JI-YOUNG, BORN 1982” from the Perspective of Feminism
Abstract
The Korean film “KIM JI-YOUNG, BORN 1982”, a remake of the novel of the same name, attracted strong social
attention as soon as it was screened. The film depicts the survival group of middle-aged women in Korea and the entire Eastern
society with its feminist core, reflecting the East The living conditions and inner references of middle-aged women in society
represent the symptom of the era of family ethics in the current social development. The article attempts to use feminist related
theories to read and interpret the film text, explore the symptoms and ethical appeals of the times represented and contained in
the film, in order to observe the expression of emotions and self-worth of women in the whole family, work and society. achieve.
attention as soon as it was screened. The film depicts the survival group of middle-aged women in Korea and the entire Eastern
society with its feminist core, reflecting the East The living conditions and inner references of middle-aged women in society
represent the symptom of the era of family ethics in the current social development. The article attempts to use feminist related
theories to read and interpret the film text, explore the symptoms and ethical appeals of the times represented and contained in
the film, in order to observe the expression of emotions and self-worth of women in the whole family, work and society. achieve.
Keywords
Feminism; “KIM JI-YOUNG, BORN 1982”; Ethical research
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PDFReferences
[1] Ji Li,Wang Yanling.The “other” in the confrontational “gaze”——Also on the anti-"gaze" of Chinese female films since the 1980s[J].Contemporary Cinema,2020(06):141-145.
[2] “Collected Works of Marx and Engels” [M]. Beijing: People’s Publishing House, 2009 Edition, Volume 5, p.90.
[3] Niu Xiaoxia.On Marx’s Criticism and Construction of “Social Ethics”[J].Jianghan Forum,2020(08):68-72.
DOI: https://doi.org/10.18282/l-e.v10i1.2147
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