On the Evolution of the Expression form of “House” in Ancient Chinese Landscape Painting
Abstract
This paper studies the evolution of the forms of expression of landscape painting “houses” in different historical periods
from Sui, Tang, Ming and Qing Dynasties. Through the research, it is found that the expression forms of Chinese landscape painting
“house” in different historical periods are different. The reason is not only the author’s own reason, but also greatly affected by its
historical and cultural background. Art is inseparable from history and culture. Culture is restricted by social development. Social
background, cultural background and art development restrict and derive from each other, support and develop each other.
from Sui, Tang, Ming and Qing Dynasties. Through the research, it is found that the expression forms of Chinese landscape painting
“house” in different historical periods are different. The reason is not only the author’s own reason, but also greatly affected by its
historical and cultural background. Art is inseparable from history and culture. Culture is restricted by social development. Social
background, cultural background and art development restrict and derive from each other, support and develop each other.
Keywords
Landscape painting; Point view “house”; Form of expression
Full Text:
PDFReferences
[1] Yu Jianhua.Chinese Painting Theory Series [M].Beijing People’s publishing house,1968.
[2] Xu Huafang,Yang Chongxiao.Pavilion of China [M].Beijing:Light Industry Press,1983.
[3] Zong Baihua. aesthetics and artistic conception[M]. Beijing: People’s publishing house,1987.
[4] Zhong Huanan.inheritance of Pavilion: collection of architectural culture [M].Taiwan:Taiwan Commercial Press,1989.
DOI: https://doi.org/10.18282/l-e.v10i4.2558
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